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Creates fashion show models inspired by medieval women's clothing featured in Botticelli's paintings. In stile “La Primavera” di Rosa Genoni, creato nel 1906 e ispirato alla figura di Flora nel celebre dipinto di Botticelli. Fourreau in raso: la base dell’abito era un modello aderente con gonna a calice, realizzato in raso lucente, che dava struttura e eleganza.
Tunica in tulle: sopra il raso, una sopraveste in tulle leggero, ricamato con motivi vegetali e floreali, ispirati alla figura di Flora nel dipinto di Botticelli.
Ricami a rilievo: eseguiti in ciniglia, fili e cordoncini di seta policroma, con inserti laminati in oro e argento.
Decorazioni preziose: lamelle di madreperla, perline, cannucce di vetro e paillettes, che creavano effetti tridimensionali e luminosi.
Tecnica artigianale: molti ricami furono realizzati dalle allieve della Scuola Professionale Femminile della Società Umanitaria di Milano, diretta dalla Genoni stessa, best quality,
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A living springtime steps forward in this vision: floral grace and royal fantasy intertwined. I adore how the embroidery seems to borrow its palette from the dawn itself, weaving golden blooms into the fabric as if sunlight had become thread. The gown is not just worn; it’s inhabited, every flower echoing the pulse of a new season. There’s a nobility to her stance, but also the vulnerability of someone who belongs to the wild gardens and forgotten legends. The sheer sleeves, so airy and delicate, give her the appearance of a sylph emerging from a myth. What moves me most is the way innocence and majesty walk side by side here:her gaze open, almost questioning, while the world behind her blurs in a soft reverence. This creation does more than pay homage to the past; it makes spring itself eternal, crowning nature and woman with the same gentle power. To me, it’s a triumph of poetry in motion, a celebration of beauty that refuses to fade.
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